SKIN

Cast of 5 Actors:

2M, 2W or NB, 1 Trans or Non-Binary

Running Time: 90 minutes

Synopsis:

Zora is a young, non-binary Filipino artist, aspiring to make their way in the Seattle Tattoo industry. When they find a mentor in Judy, Zora enters the world of tattoo, finding the art form’s deep ties to Filipino culture. Judy teaches Zora how to navigate the tense environment of the white-dominated tattoo industry, while pressures intensify thanks to Carl, the authoritarian shop owner.

As the painful history of Filipino colonization begins to crash into the present, Zora finds themself caught at the convergence point of tattoo now and then– discovering what it means to live in a marginalized body.

Development History

The Playwright’s Realm (New York, New York)

15 hr Workshop and Public Reading, Scratchpad Program

Dir. May Adrales, 2023

Vashon Repertory Theatre (Vashon Island, WA)

Workshop and Reading

Dir. Zenaida Rose Smith, 2022

Tacoma Little Theatre (Tacoma, WA)

Workshop and Reading, Page to Screen Program

Dir. Darryin Cunningham, 2021

Nabra Nelson, Playwright (NPX Reccomendation)

“A beautiful, heartfelt, and enrapturing narrative about two timelines that are connected through the art of tattooing. Anamaria Guerzon highlights the historical and modern significance of tattooing, and weaves in personal stories and complicated relationships masterfully. The exploration of trauma on POC bodies is very intriguing, and leans into the complexities of the subject. ”

Nelle Tankus, Playwright (NPX Recommendation)

“True healing can only come from the hurt never happening in the first place. There is a weaving of time and space between the cold, sterile white-guy owned tattoo shop and Jeoly's capture by colonizers that is intentional and kind, without pulling punches. The play is epic without being overbearing, and intimate while still being highly theatrical. In addition to this, the joy and resistance shared by Judy, Zora, Nanay, and Jeoly is honest. Anamaria Guerzon's SKIN is a play that will be loved by many for years to come.”

BLOOD/SUCKER

Blood/Sucker

Cast of 6 Actors:

2M or Enby, 3W or Enby

Running Time: 2 hours

Synopsis:

Ryan, a high school social studies teacher, is tired. He's been spending late nights grading homework, as well as fending off parental complaints about his Asian-American History class, claiming the 'Critical Race Theory' is indoctrinating his children. Then Hillary, the new Principal, arrives. And the students are beginning to act very strange...

Blood/Sucker is a bloody political satire/horror play about the public school system, and those it feeds off of.

Development

Copious Love (Seattle, Washington)*

Workshop Reading

Dir. TBD, October 2024

The Trust (Seattle, Washington)*

Seven Month Incubation/Public Reading

Prod. Andy Park-Buffelen, 2024

*Upcoming

10 Minute Works

Keep You

Cast of 2 Actors:

2 W or NB

Running Time: 10 minutes

Synopsis:

Reflecting queer love and loss, Keep You tells the non linear story of Marie and Janice throughout their intense and confusing relationship, falling into the grey area between friendship and unspoken romance.

Production History

Greater Baltimore Cultural Alliance (Baltimore, Maryland)

Staged Reading

Dir. Rohaizad Suaidi, 2023

Ruth Asawa School of the Arts (San Francisco, California)

Performance

Prod. Ellen Koivisto, 2023

Development History

Pacific Lutheran University (Tacoma, Washington)

Workshop and Reading

Prod. Tom Smith, 2020

Mohammad Rohaizad Suaidi, Adjunct Professor at Towson University (NPX Recommendation)

“I love this play for so many reasons! It captures the voices of young (HS) people in ways that come across as honest and believable. Its characters are sweet and awkward; sometimes nervous and unsure; and they hurt and feel hurt. The lines of dialogue create a play so immediately immersive even as it plays with time in its storytelling. It's a queer play where characters don't, can't and perhaps won't name their feelings for each other, making it especially relevant to younger readers or audiences for whom queerness is complex and fluid, sometimes frustrating. Great for classroom discussion!”